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Guerrilla Film

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High Calliberroduction, Blue Collar Work Ethic

Guerrilla Film is a production company that combines high collaboration with unique execution. We' deliver high value work often at budgets our competitors can't match without sacrificing the creative. We stay on projects until the client is satisfied, and have never gone over budget or asked for overages.

  • Min project size
    $5,000+
  • Hourly rate
    $100 - $149 / hr
  • Employees
    2 - 9
  • Year founded
    Founded 2016

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    Our Story

    Raised in small-towns in Illinois, Tennyson and Jonah, have blue collar work ethics. Having worked independently with smaller agencies for years we developed creative strategies for meeting budgets that we've taken into large projects. We don't necessarily think like a traditional city based agency, and that allows us to work more nimbly and efficiently. We like great creative, working with great people and then locking into post and spending time with our families. 

    What Sets Us Apart

    Problem Solvers

    We enjoy solving problems in pre-production. From the time we start building our treatments, we're developing 2-3 plans to get each shot. This allows us to flex around client budget demands without sacrificing the quality of the creative.

    Blue-Collar Mentality

    We're very budget conscious. We want our clients to get as much as they can from our productions. We build teams and budget time accordingly. If we can shoot in better light by building a smaller team and adding a day, we'll do that if the client schedule allows it. The result is a better picture.

    Quick Facts

    10 years in business

    Tools and Technology

    Microsoft Teams
    Zoom
    Google Meet
    Google Drive
    Dropbox
    Vimeo
    Frame.io
    Google Docs
    Google Sheets
    Microsoft Word
    Microsoft Excel
    GoToMeeting

    Commonly Asked Questions

    It depends on which part of the process we're on, but I think we're pretty quick regardless. Bid Pack and Treatment - Typically takes about a week if we're not on set for a quick turnaround. Pre-Production to Production - Depends on variables. We've put together a 20+ person team shoot with celebrity talent between a Thursday morning initial call (no bid - they booked us direct) and a Tuesday call-time. Usually 2-4 weeks is ideal if it's a mid-size to larger project. Post-Production - If we shot it, I don't know that there is anyone quicker in the industry at turnaround than we are if the client is flexible and we've had good communication going into the project. We've turned around large campaigns in a matter of days.

    Generally, we meet via zoom or something similar and get to know one another to see if there is a fit. On an initial call we'll listen to what their needs are, share some relevant work and if it's going well look for projects to bid for them.

    This depends on the clients needs and desires. We're generally very collaborative to the point that some of our agency clients rely on us to flesh out their rough concepts further. We like this approach as it gets buy in from everyone and builds camaraderie. We have other clients though that just kind of like us to drive and check in on them from time to time.

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