Ingenuity, Unbound.

You have a brand. We have a killer creative content studio.

Omnislash Visual is a team of filmmakers, designers, and animators, but above all we are thinkers.

You connect with your customers. We broadcast your story to the world.  Simple as that.

 
$10,000+
 
Undisclosed
 
2 - 9
 Founded
2016
Show all +
Milford, CT
headquarters
  • 88 E Broadway
    Milford, CT 06460
    United States

Portfolio

Introducing the New Ashcroft E2 Transducer

Ashcroft, Inc. just released their new E2G Pressure Transducer, that is able to be calibrated in the field using magnetic technology. Both Span and Offset can be set.

https://omnislashvisual.com/portfolio/introducing-the-e2-transducer/

This intro video served as a starter to the BPG sales event at Paramount Studios in Los Angeles.  We were contracted by East of Ellie to deliver creative direction for all video, graphic design, and installations.

https://omnislashvisual.com/portfolio/beyond-the-lens-beauty-prestige-group-event/

 

BareMinerals - ONE - Recap Video

We were brought on by the kind folks at East of Ellie to put together Creative Direction and Design for the BareMinerals 2018 Sales Event.

The event branding was created by us, and the “look” was translated across video, graphics, and print to create a seamless experience.

https://omnislashvisual.com/portfolio/bareminerals-one/

Reviews

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Digital Effects for Cinema Company

"He’s fantastic at making it work from both the artistic and financial side."

Quality: 
5.0
Schedule: 
4.0
Cost: 
5.0
Willing to refer: 
5.0
The Project
 
$200,000 to $999,999
 
June 2010 - Ongoing
Project summary: 

A TV movie producer partners with Omnislash Visuals for editorial projects. He assists with digital effects, animation, digital clean up, green screen work, credits, opening titles, and more.

The Reviewer
 
1-10 Employees
 
Rocky Hill, Connecticut
Andrew Gernhard
Producer, Synthetic Cinema International
 
Verified
The Review
Feedback summary: 

He's incredibly meticulous and is able to balance the artistic and financial side of his work seamlessly. The quality of his work is well above average, and he's fantastic at communication. He gets difficult situations correct and excels at animating photographs and 3D modeling environments.

A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.

BACKGROUND

Introduce your business and what you do there.

I’m a producer for Synthetic Cinema International, we do TV movies for Lifetime, Hallmark, and NBC.

OPPORTUNITY / CHALLENGE

What challenge were you trying to address with Omnislash Visual?

I’ve known Paul (Director) for years. He’s worked on lots of our editorial credits for years. He takes a movie and uses animation to put it together. He also assists with digital effects — whether it’s making summer look like winter or removing a boom pole. His company is one of our partners on digital clean up.

SOLUTION

What was the scope of their involvement?

Recently, he did the 3D title and credits for a Lifetime film. The film before that he did the opening title, credits, and green screen work. We filmed the product in Connecticut in the summer and he added mountains and snow. Those are the recent ones, but he’s worked on many projects.

What is the team composition?

It’s mostly been Paul, although he has a team behind him.

How did you come to work with Omnislash Visual?

I met Paul doing television commercials years ago. Over the years he’s moved around on what he did, but he’s always been a partner.

How much have you invested with them?

Every job is different – it’s on a job by job basis. I’m guessing that credits are around $3,000, an animated title for a couple thousand, and he’s worked onset as a post-production supervisor for upwards of $10,000. A graphics job tends to be between $2,000 and $5,000.

What is the status of this engagement?

We started working together back in June 2010, and they’re still our partner.

RESULTS & FEEDBACK

What evidence can you share that demonstrates the impact of the engagement?

He’s incredibly meticulous about what he does. I work with a lot of directors on different films, and he has to work with our post-production team and the director. He’ll receive instructions from us but is able to work with the director’s feedback as well. He’s fantastic at making it work from both the artistic and financial side.

In a recent film, he did a lot of green screen work with a stalker killing someone in a car. That’s really tough to edit the reflections just right. He worked very hard to get that correct and it’s a testament to how his quality is well above average.

How did Omnislash Visual perform from a project management standpoint?

He’s very good. He creates a Google Sheet for the director and all others to see. He color codes it, keeps it incredibly organized, and manages the post-production well.

What did you find most impressive about them?

He does fantastic at animating photographs and 3D modeling environments which looks amazing.

Are there any areas they could improve?

No, I don’t have anything. Over the years, we’ve developed a great relationship at what works and how to be the most efficient.

Do you have any advice for potential customers?

I think it’s a matter of communicating properly, managing expectations. Paul always tries to do better than expectations are.

5.0
Overall Score He knows what he’s doing.
  • 4.0 Scheduling
    ON TIME / DEADLINES
  • 5.0 Cost
    Value / within estimates
    He’s got great costs for the value.
  • 5.0 Quality
    Service & deliverables
  • 5.0 NPS
    Willing to refer
    I’d always recommend him.

Videos Production for Industrial Instrument Manufacturer

"Omnislash Visual adds great value, accepts changes, and doesn’t add charges."

Quality: 
5.0
Schedule: 
5.0
Cost: 
5.0
Willing to refer: 
5.0
The Project
 
$200,000 to $999,999
 
Sept. 2014 - Ongoing
Project summary: 

Omnislash Visual creates a wide variety of videos to help an industrial instrument manufacturer’s content marketing strategy. The videos use CGI and animation to communicate complex products.

The Reviewer
 
1,001-5,000 Employees
 
Stratford, Connecticut
John Carissimi
Media Manager, Industrial Instrument Manufacturer
 
Verified
The Review
Feedback summary: 

The videos are in high demand from the client’s sales team — who use them to explain products — and customers — who save money by using video tutorials. Omnislash Visual has managed a six-year partnership by their experienced leadership, patience, and flexibility.

A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.

BACKGROUND

Introduce your business and what you do there.

I’m the media manager of an industrial instrument manufacturer. We manufacture pressure and temperature instruments for power plants, wastewater facilities, and other industrial companies. 

OPPORTUNITY / CHALLENGE

What challenge were you trying to address with Omnislash Visual?

We were aware that content marketing would be important to us as a business. Communicating the technical aspects of our product and how to do things with it would definitely add value. We also wanted to establish ourselves as experts in our field. Specifically, we wanted to do it with videos.

SOLUTION

What was the scope of their involvement?

Omnislash Visual has created several different types of videos. They did some for our HR department, for promotion, and for instruction. For example, one video talked about how to recalibrate our instruments. Omnislash Visual is able to integrate computer-generated (CG) animation, which is sometimes more visually pleasing and makes the processes easier to understand. They also handle all the editing to make sure the images flow well and tell the story.

What is the team composition?

We work with about four people at a time on a given job, but it depends on the job. Sometimes, we need crew members for lighting and sound if we don’t do voiceover, for example.

How much have you invested with them?

We’ve spent roughly $200,000.

What is the status of this engagement?

The partnership started in September 2014 and is ongoing.

RESULTS & FEEDBACK

What evidence can you share that demonstrates the impact of the engagement?

We don’t have metrics for the videos. They’re out there, available in different ways, and they add to our overall brand recognition and loyalty. Our field sales folks show some of these videos when they visit customers because it makes it easier to explain things. We’ve gotten good feedback from our sales force on how important the videos are and requests for more. I’m not in direct contact with our end-users, but I know a lot of people are very appreciative of our tutorials such as how to calibrate something. They can save a lot of money by doing it themselves rather than using a calibration lab.

How did Omnislash Visual perform from a project management standpoint?

What I really like most is that they’re very collaborative. Omnislash Visual is in a tough position; folks on our end lack the experience to give proper instructions, but Paul (Director) is always very diplomatic and flexible. 

They’re also very visionary. When our side doesn’t give a full script and storyboard, Paul grabs information from the ensuing conversations and makes it into something. Even when we don’t know what it is that we want, they can guide us through that process. They’re more than people who shoot a camera; they can patch together a smooth story and tell it through video.

In addition, Omnislash Visual uses the latest equipment and state-of-the-art technology. For example, they use LED lights that don’t generate heat and a camera with a teleprompter built into the lens. Paul is especially sharp on the technical side. He understands our products very well; he’s good at absorbing customer’s business intricacies and using them to make a better video. When we talk, it’s like I talk to someone who’s worked at our company for a long time; I don’t have to explain anything; 

What did you find most impressive about them?

Omnislash Visual adds great value, accepts changes, and doesn’t add charges. Their quality of work is excellent. I particularly love how collaborative they are. We have a great dialogue back and forth. It’s a very good relationship, which makes the whole thing go so much easier. 

Are there any areas they could improve?

I can’t point to anything I wish they’d do better. Any issues we’ve had have been completely our fault. Sometimes, we approve our script and storyboard and then decide to make changes after the video is done. Nevertheless, Paul gets it done anyway. He’s the diplomat who saves the day. 

Any advice for potential customers?

Before production, the customer should think through what they want and define as best they can before taking to Omnislash Visual. The hardest job is starting with a blank sheet of paper. Omnislash Visual can run with it, but it makes everyone’s life easier to be prepared and provide as much information as possible.

5.0
Overall Score
  • 5.0 Scheduling
    ON TIME / DEADLINES
  • 5.0 Cost
    Value / within estimates
  • 5.0 Quality
    Service & deliverables
  • 5.0 NPS
    Willing to refer
    I would do so in a heartbeat.

Creative Development for Events Planning Firm

"Their ability to brainstorm and be a collaborative partner is really important."

Quality: 
5.0
Schedule: 
4.5
Cost: 
5.0
Willing to refer: 
5.0
The Project
 
$200,000 to $999,999
 
Aug. 2014 - Ongoing
Project summary: 

Omnislash Visual provides design and creative production to an events firm. Beyond collateral for events, they’ve contributed to pitching with 3D renderings that help prospective clients visualize their event.

The Reviewer
 
1-10 Employees
 
Shelton, Connecticut
Emily Chalk Battaglia
Founder and Senior Managing Partner, East of Ellie
 
Verified
The Review
Feedback summary: 

Business increased significantly when Omnislash came onboard, opening doors into new markets that would have remained closed without them. The client praises Omnislash for their commitment to deadlines and willingness to go the extra mile to deliver. Customers can expect a collaborative partner.

A Clutch analyst personally interviewed this client over the phone. Below is an edited transcript.

BACKGROUND

Introduce your business and what you do there.

I’m the founder and senior managing partner of East of Ellie, an events agency. We produce corporate events and internal meetings, as well as experiential events and live-function format corporate conferences.

OPPORTUNITY / CHALLENGE

What challenge were you trying to address with Omnislash Visual?

One of the things we never realized was an opportunity for us was the design component of our work. Being an event planner, we’re responsible for the logistics and the planning and execution of our events, but one of the things that consistently comes up in our to-dos was more of the creative elements — everything from a poster or a banner to a twenty-foot graphic that could take over a wall.

We wanted to be able to come to a client with a clear concept and identity for the event and showcase it through visual functionalities. A lot of the things we did were entry-level when we started but Omnislash showed me what we were really able to offer to our clients. They became a huge partner of ours in the execution of all the creative work for our events.

SOLUTION

What was the scope of their involvement?

Where they really brought value was doing 3D-rendering work. For example, we did an event at a movie production company in California that had movie sets set up; we were responsible for branding an entire city block with four or five different brands that we’re going to be at the event.

Omnislash helped us recreate that footprint and add the branding for each of the brands so everyone had a full view of what a 3D model would look like when the event was executed. That helped us get approval on some of the executions and modify things in real-time, making on-site execution easier. It took a lot of the guesswork out of how it would look.

They’ve also created opener videos. Especially in the events world, people need to be easily accessible. They’ve worked with us as a partner on shows where our clients want Instagram videos with specific functions and graphics turned around in 24 hours; we would never be able to do something like that in-house but Omnislash helped us execute.

What is the team composition?

We work with 1–2 people at a time — usually the owner and creative director. We normally have one person for each part: music, video, film.

How did you come to work with Omnislash Visual?

We met them through a friend of a friend. We were working with a web developer that decided to move to a broader platform that included marketing offerings we didn’t need at the time. They then introduced us to Omnislash.

How much have you invested with them?

We’ve spent over $200,000 with them so far.

What is the status of this engagement?

We’ve been working together since August 2014. Even if we’re not executing on something, Omnislash is always a partner in ideating and us pitching to clients.

RESULTS & FEEDBACK

What evidence can you share that demonstrates the impact of the engagement?

We don’t have any direct metrics, but I can tell you that the area of our business they work in has grown 35% since we started working with them. We wouldn’t have had the capacity or ability to compete in the live-show, large-format space without them as a resource.

How did Omnislash Visual perform from a project management standpoint?

They’re fantastic. I don’t mean to sound overly glowing but this is my favorite agency to work with. To their own default, they’ve never let me down. I’ve worked overnight with them getting creative stuff ready for the next morning. They’re an extension of my team because they go toe-to-toe with anything we’re willing to do.

What did you find most impressive about them?

Their ability to brainstorm and be a collaborative partner is really important. When it comes to my side of the agency, we have a knack for figuring out the experiential side, but when that translates to how you executive it creatively with a video or a recap or a graphic, we’re somewhat lacking. Being able to download them on all of the details, give them our concepts and pitch decks, and then ask them how to take everything to the next level is a huge win.

Are there any areas they could improve?

They could be a bit more understanding of the events industry would be helpful. Obviously, it’s hard to be a jack of all trades, but the event world is very specific. A better understanding would, potentially, help everyone make more money.

Do you have any advice for potential customers?

Let them do what they do. Omnislash is not someone who just executes; it’s not where their value lays. Being able to collaborate with them and brainstorm and come up with ideas is their best quality. When you get them to buy into the work and get excited, the return on the work is exponential.

5.0
Overall Score
  • 4.5 Scheduling
    ON TIME / DEADLINES
  • 5.0 Cost
    Value / within estimates
  • 5.0 Quality
    Service & deliverables
  • 5.0 NPS
    Willing to refer